Department of Media Study News & Events

CFP: Time Mutations: Vertical Horizons

neues museum

Call for Proposals:

Since the invention of the clock and the telegraph, space and time have been harnessed to each other in a culturally imposed lock step. Standardizations in train time ultimately led to the establishment of global time zones that persist today in fundamentally structuring our daily experience of the world. Ironically, the standardization of time has had the effect of illuminating the relativity of time and space in even our most mundane experiences. From jet lag and GPS to the syncing of dozens of clocks that seem to multiply around us with every electronic device, we find ourselves constantly adrift in the waters of relative and absolute space and time. Electronic communications technologies from email to live real-time video streaming have intensified this experience in our daily lives, conditioning us to take for granted the relative speed – and lag – of mediated time and space, and to accommodate it with new social conventions and unwritten codes of behavior.

The desire to collapse boundaries of space and time is inherently utopian. To erase cultural and geographic distinctions, and instead inhabit a community in which communication is integrated and instantaneous is a persistent, yet elusive dream. Even when motivated by a generous impulse toward exchange, the desire to dissolve difference in culture, access, time, place and language in the experience of total simultaneity can, of course, never be complete. Seamless or lossless exchange is always thwarted by the embodied nature of communication, culture and technology. Manipulations of time and space through recording and editing techniques may lead us to perceive time and location as particulate states, but ultimately such interventions can never fully reduce experience to such stable or concrete terms.

Time Mutations is a proposal for an exhibition of new artworks that explore these concepts, challenges, and potentials, through a collaboration between two institutions that have historically been deeply invested in experimental media practice. Media practitioners from the Media Art & Design Program at the Bauhaus-Universität Weimar and at the State University of New York at Buffalo’s Media Study Department have come together to present new projects and provide a platform for interaction between our institutions’ physical and research localities. For this exhibition we are seeking works that focus on individual and collective perceptions of space and time emerging from technologically mediated interaction and exchange. Of particular interest are works in which the concept of time as linear or location as static is successfully challenged, manipulated or collapsed, giving way to alternative experiences and constructions of time, space and place. Explicit failures in these attempts are embraced as both inevitable and interesting – for instance, the failure of technology or mediated social interactions to erase differences in language, cultural protocol, etc.

Proposals for the presentation of existing works as well as new works are invited. Works in every media are welcome including film, video, sculpture, photography, painting, performance, and all genres of electronic and digital media. Limited support for real-time streaming media events and projects will also be available.

Deadline for proposals is February 21, 2011. Please send proposals, questions, or requests for information to: liz.flyntz [at] gmail.com.

Location:

Marke.6 gallery, in the Neues Museum Weimar, Germany is neo-renaissance building constructed in 1869, which currently houses exhibitions of modern and contemporary art.

http://www.klassik-stiftung.de/index.php?id=78

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Nicholas Stedman : ADB in LEONARDO

ADB
Nicholas Stedman
Project MUSE – LeonardoADB Project MUSE Journals

Nicholas Stedman ADB is a snake-like, modular robot designed for haptic interactions with people, writhing, wriggling, twisting, and squeezing in response to how it is held and touched. It can be used to explore intimate and emotional relationships with technology through direct physical contact. ADB adapts to and reciprocates the energy one puts into it through one’s body. When touched, it comes to life. When stroked, it seeks more of you. When harmed, it defends. ADB is composed of a series of identical modules that are connected by mechanical joints. Each module contains a servo motor, a variety of sensors, including capacitive touch sensors, a rotary encoder, and a current…

Leonardo – Volume 43, Number 4, August 2010, pp. 414-415
E-ISSN: 1530-9282 Print ISSN: 0024-094X
The MIT Press

View the full article on Project MUSE.

Filed under: publication,

STUDENT SHOW Department of Media Study

Department of Media Study Student Show
Monday, December 13, 2010

Interactive and Installation Pieces and Open Labs begin at 5:00 PM
(though some installations may be up by early afternoon) and will run
through the end of the screening. These will be located in the CFA
atrium
, the TV Studio (278), and possibly in the labs.

Screening begin at 6:00 pm in the Screening Room (112 CFA).

Filed under: Event, exhibition, installation, presentation

Reactionary Ensemble & Nimbus Dance: SURROUND: VISUAL

Surround: Visual
December 8th at Asbury Hall in Babeville
341 Delaware Ave., Buffalo, NY

Surround: Audio/Visual is a brand new 2-part performance by the Reactionary Ensemble commissioned as part of Beyond/In WNY 2010. Reactionary Ensemble is a roving circuit of improvisational artists and musicians looking to merge sound and vision into an immersive, multidimensional experience. Fluid in nature, these sensory-based performances unleash streams of transitory sounds and visual images to stimulate a hypnotic, primordial, trance-like state of spontaneous free association.

Surround: Visual is the final performance of Beyond/In WNY. The show will feature a 40-ft diameter screen surrounding the audience designed by architect Brad Wales. The screen will have 8 different live mixed videos projected onto it mixed by 8 different video artists utilizing the same audio data from the instruments.

Reactionary is also working with dance company nimbus dance, following the successful collaboration radio/ACTIVE at this summer’s Infringement Festival. The dancers will wear Wiimotes to track their motion data, which will also be converted into visual data for the video artists to work with.

Surround: Visual will feature over 25 artists, including dancers Elyssa Bourke, Erin Bahn, Beth Elkins, Nancy Hughes, Laura Matteliano, Angela Lopez, Leanne Rinelli and Bonnie Jean Taylor, video artists Cory Gath, Courtney Grim, Liz Knipe, Carl Lee, Jeff Maciejewski, Tammy McGovern, Brian Milbrand and Vince Mistretta, and musicians Jim Abramson, Kathleen Ashwill, Steve Baczkowski, Michael Basinski, Gabe Beam, Kevin Obrien Cain, Jenece Gerber, Mike Kimaid, Keir Neuringer, KG Price and T. Andrew Trump and Stage Director Melissa Shanahan.

Read the rest of this entry »

Filed under: Event, performance, Screening, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

USES OF A WHIRLWIND: Movement, Movements, and Contemporary Radical Currents in the United States

Uses of a Whirlwind: Movement, Movements, and Contemporary Radical Currents in the United States
Edited by: Team Colors Collective
Published by: AK Press, 2010, $19.95

Uses of a Whirlwind: Movement, Movements, and Contemporary Radical Currents in the United States is a new book edited by Team Colors Collective, published by AK Press in June 2010.  Julie Perini’s chapter, “Art as Intervention: A Guide to Today’s Radical Art Practices,” looks at contemporary approaches to the question of how to make art that promotes social change. The chapter includes interviews with Mike Bonanno of the Yes Men, Steve Kurtz of Critical Art Ensemble, Paige Sarlin of 16 Beaver Group, Rosten Woo, former Executive Director of the Center for Urban Pedagogy, Natalie Jeremijenko, and Dara Greenwald.

Order yours today!

Filed under: book, publication,

Stefani Bardin: M2A™: THE FANTASTIC VOYAGE

Stefani Bardin’s M2A™: The Fantastic Voyage project was featured last month at the Eyebeam Art + Technology Center.  M2A™: The Fantastic Voyage, takes viewers on a journey through the human digestive system by way of the M2A™ and the SmartPill. A quick Google search on these “creative” tools led me to texts about chronic constipation and gastrointestinal bleeding. Oh dear. Gastroenterology, the branch of medicine concerned with diseases of the stomach, intestines and associated organs, uses both devices. As Bardin explained it, the M2A™ (pictured above) is a hard capsule pill endoscope that, after being swallowed, takes pictures of what it sees in the GI tract. The SmartPill is softer and records pressure, pH levels, and temperature. The data is transmitted to a receiver worn by the patient, which is then uploaded to proprietary software and translated into graphic reports. Both pills are naturally excreted from the body. Strangely, neither device has been used to study how different foods affect the human body. Not until now, anyway. After five years of searching for a licensed physician to work with her, Bardin finally found a partner in Dr. Braden Kuo, a gastroenterologist with Harvard Medical School. Kuo will work together with Bardin as he leads the first ever clinical study to use the M2A™ and SmartPill to look at how the human body responds to processed versus whole foods. Bardin’s project for Eyebeam could make gastroenterological history.

View the full article at Art21.

Filed under: press, ,

FISHSONG / WORMSONG

FishsongAquaponics Fishsong

Saturday, December 4, 2010
Open house 9am-2pm
Farm tour at 10:30am
@ Massachusetts Avenue Project, 271 Grant Street, Buffalo, NY

A temporary installation in the Massachusetts Avenue Project’s new aquaponics greenhouse — a multi-channel sound piece exploring the hidden sonic ecologies of MAP’s innovative and sustainable aquaponics system.

Aquaponics is a mostly closed system of sustainable food production where fish wastes are used to fertilize plants and feed worms, and plants and worms are used to feed fish. MAP’s existing greenhouse contains some 5,000 tilapia, and will support 50,000 when completed.

Filed under: installation, tour,

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